Book review
成雨锐
The future of mankind is not at all admirable, I guess, for anyone who
finished Wells' "The Time Machine". The sympathetic account of
the Eloi world is an poignant allegory pessimistically indicating the
tradegy of our future. The Morlocks, however, even bear more appalling
symbols in the story where these descedants of human species eventually
destroy the civilisation created by mankind. Unlike Jules Verne's
novels, Wells' cynical tone permeates from cover to cover. "Fin de
siecle" was a prevelant theme in late Victorian writings, people
began to smell the uneasiness though often implicitly, and writers like
Wells inquired "will our future be really better?" in that
glorious time where natural sciences flourished much more prosperously
than any time in history. Wells was catogorized by Woolf as
"materialist" in tandom with other Edwardian novalists, for
their over-emphasis on the depiction of external, ephemeral, treacherous
matters. Wells was criticized mainly for his over-compact narration with
equally detailed portrayal of almost every events, no matter major or
minor, within the whole plot. It's true when you read this work, and
definitely you will get blase when being confronted by a myriad of
similar descriptions of the scenary. Fortunately the intriguing
development of the story saved him from that blemish: when the boredom
nealy falls down, a new event unfolds, then you get refreshed and move
on. Despondantly though Wells sees the future, he flings to us a gleam
of hope at the end. The bouquet Weena put into the Time Traveller's
pocket leads to the conclusion of the entire story: "even when mind
and strength had gone, gratitude and a mutual tenderness still lived on
in the heart of man."
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